This time, until the death of her father in 1835, was for her a very prolific period of her creative powers. Starting around 1823 Fanny began to take part in the famous “Mendelssohn’s Sunday Musicales", of which she assumed the direction in 1831, and which enabled her to perform compositions for larger instrumentation. In 1830 her son Sebastian was born, later author of the important authoritative work “The Mendelssohn Family." In 1829 Fanny got married to the painter Wilhelm Hensel, who promoted her and encouraged her to publish her works. ![]() a piano quartet in A-flat major (1822) an adagio for violin and piano (1823), a capriccio for violoncello and piano and the “Sonata o Fantasia” for violoncello and piano (both 1829). Soon, however, she also ventured to write compositions with a different instrumentation, e.g. Her first compositions were mostly songs and works for the piano. ![]() Later Fanny’s family moved to Berlin where she was given piano lessons by Ludwig Berger, and lessons in the art of composing by Carl Friedrich Zelter. Her letters of travels and her essays on music show her outstanding literary talent and her knowledge in the theory of music. We are told that Fanny performed Bach’s “Das Wohltemperierte Klavier” by heart at the age of twelve. Together with her brother Felix, Fanny was given a very thorough general education, far better than was usual for girls at her time. Fanny Mendelssohn was a granddaughter of the Jewish religious philosopher Moses Mendelssohn. ![]() The German composer was born in Hamburg on 14 November 1805, as daughter of Abraham Mendelssohn and his wife Lea. my memory so dead for things I learned is imperturbable for things I experienced.
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